scholarly
books
Haus Cramer. Object. Lessons., (co-editor Karen Ruoff, design Maureen Belaski, manuscript in preparation).
The Politics of Discourse: Third Thoughts on New Subjectivity, New York: NYU Ottendorfer Series, 1994.
Aktualisierung Brechts, ed. Wolfgang Fritz Haug, Klaus Pierwoß, Karen Ruoff Kramer, West Berlin: Argument-Verlag, 1980.
articles
"Reflections on the Past Decade," Conversations, Contestations and Cross-Cultural Comparisons, 10th Anniversary of the Graduate School of North American Studies, JFK Institute Berlin, 2017.
"Das Enron-Ranking-Paradigma," in: Das Argument # 272, Vol. 49, Issue 4, 2007, pp. 488-490.
"Jeans," Historical Materialism, 14 (4): 289-294, 2006.
"Jeans," Historisch-Kritisches Wörterbuch des Marxismus, Vol. 6, Hamburg: Argument Verlag, 2004.
"Continental Drift? On German-American Discontents," North America special issue of WIR-Magazin für die Ehemaligen der Freien Universität, 2-2003, Dec. 2003, p. IV.
"Kontinentaldrift? – Das Dilemma der deutsch-amerikanischen Sündenböcke," WIR-Magazin für die Ehemaligen der FU, Dec. 2003, p. 48.
"Clichés, Lies, and Other Misapprehensions," Internationale Politik/Translatlantic Edition, Vol. 4, Nr. 3, Deutsche Gesellschaft für Auswaertige Politik, Berlin, 2003.
"Sündenböcke, verzweifelt gesucht," Die Tageszeitung, Vol. 25, 7 July 2003, pp. 1,15.
"Klischees, Lügen und Missverständnisse. Zur amerikanisch-deutschen Fehlwahrnehmung," Internationale Politik, Vol. 58, Deutsche Gesellschaft für Auswaertige Politik, Berlin, 2008.
"Blauhemd und Blue Jeans in Filmen der DEFA", Jeans, Rock & Vietnam: Amerikanische Kultur in der DDR, Recherchen Vol. 14, Theater der Zeit/Literaturforum im Brecht-Haus, Berlin 2002, pp. 129-151.
Keywords "Ernst Busch," "Drama: Federal Republic of Germany," "Dramaturg," "Epic Theater," "Freie Volksbühne," "Erwin Piscator," "Schaubühne am Halleschen Ufer," "Peter Stein," "Theaters: Federal Republic of Germany," "Karl Valentin" the Encyclopedia of Contemportary German Culture, edited by John Sandford, London: Routledge, 1999.
"Imag(in)ing the GDR: Gender in Projected Memory," After the GDR: New Perspectives on the Old GDR and the Young Länder, ed. Lawrence McFalls and Lothar Probst, Amsterdam/Atlanta: Rodopi, 2001.
"Intellektuelle Reife," in: Freie Universität Berlin, Berlin 1998.
"Representations of Work in the Forbidden DEFA films of 1965/66," Séan Allan & John Sandford (ed.), DEFA: East German Cinema 1946-1992, New York/Oxford: Berghahn, 1997.
"Eingreifendes Denken," Historisch-Kritisches Wörterbuch des Marxismus, Vol. 3, Hamburg: 1997.
"Vergangenheitsverlust und Gegenwartsverbot," translated by W.-D. Junghanns, Berliner Debatte/Initial, Berlin: Gesellschaft für sozialwissenschaftliche Forschung und Publizistik, 1996.
"Theater in a Quasi-Capital: Reflections on the Berlin Theater Festival 1992," Western European Stages, Vol. 4, Nr. 2, New York, 1992.
"No longer Two, Not Yet One: German Theatre and the 1991 Berlin Festival," Western European Stages, Vol. 3, Nr. 2, New York, 1991.
"Reise in die Ungleichzeitigkeit. Thüringer Tagebuch Anfang 1990," with Volker Gransow, Blätter für deutsche und internationale Politik, March 1990.
"Rückblick auf die Wende zur Neuen Subjektivität," translated by Wolfgang Fritz Haug, Das Argument Nr. 142, Nov./Dec. 1983.
"Antwort auf Antwort hoch zwei," Das Argument Nr. 123, Sept./Oct. 1980.
"Das Denkbare und die Denkware," Aktualisierung Brechts, ed. Wolfgang Fritz Haug, Klaus Pierwoß, Karen Ruoff Kramer, Argument Special Issue, Vol. 50, West Berlin: Argument Verlag, 1980.
"Tui oder Weiser? Zur Gestalt des Philosophen bei Brecht," Brechts Tui-Kritik, ed. Herbert Claas and Wolfgang Fritz Haug, Argument Special Issue, Vol. 11, West Berlin: Argument Verlag, 1976.
"Warenästhetik in America, or: Reflections on a Multi-National Concern," in Warenästhetik. Beiträge zur Diskussion, ed. Wolfgang Fritz Haug, Frankfurt/Main: Suhrkamp, 1975.